Woman in Blue Reading a Letter, and Tomas Tranströmer, Vermeer

Authors

  • Jožef Muhovič Academy of Fine Arts and Design, University of Ljubljana, Slovenia
  • Vid Snoj Department of Comparative Literature and Literary Theory, Faculty of Arts, University of Ljubljana, Slovenia

DOI:

https://doi.org/10.33700/1580-7118.19.1.155-182(2017)

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References

BERGSTEN, S. (1990): “To Go through the Walls: Tomas Tranströ-mer’s ‘Vermeer’”, World Literature Today 64/4, 582–590.

DENIS, M. (1922) : “Définition du Néo-traditionalisme “, v : Théories, 1890-1910. Du symbolisme et de Gauguin vers un nouvel ordre clas-sique, Pariz, Bibliothèque L’Occident, 1–12.

FOUCAULT, M. (2009): Manet and the Object of Painting (ang. prev.), London, Tate Publishing.

HEGEL, G. W. F. (1986): Vorlesungen über die Ästhetik 3, v: isti, Werke 15, ur. Eva Moldenhauer in Karl Markus Michel, Frankfurt ob Majni, Suhrkamp.

PROUST, M. (1995): Ujetnica (slov. prev. Radojka Vrančič), Ljubljana, DZS.

VERSLYPE, I. (2012): “The Restoration of Woman in Blue Reading a Letter by Johannes Vermeer”, Rijksmuseum Bulletin 60/1, 2–19.

WEBB, R. (2009): Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice, Farnham, Ashgate.

WHITE, J. B. (2003): The Edge of Meaning, Chicago, Chicago Uni-versity Press.

WINN AINSWORTH, M., et al. (1982): Art and Autoradiography. Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer, New York, The Metropolitan Museum of Art.

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Published

2017-12-04

Issue

Section

Diaphanies

How to Cite

Woman in Blue Reading a Letter, and Tomas Tranströmer, Vermeer. (2017). Monitor ISH, 19(1), 155-182. https://doi.org/10.33700/1580-7118.19.1.155-182(2017)